#Milwaukee repertory theater

[lboogie1906]

L. Scott Caldwell (born Laverne Scott; April 17, 1950) is an actress known for her roles in The Fugitive and Lost.

She earned a BA in Theater Arts and Communications.

She planned on a teaching career and taught at Chicago High School of the Performing Arts. She worked for a year for the Chicago Council on Fine Arts as an artist-in-residence. She performed in local theatrical productions at the Body Politic, Court Theater, and Eleventh Street Theater. She went to New York to audition for Uta Hagen’s school HB Studio and The Negro Ensemble Company.

She was accepted by both Hagen and NEC. During her first season at NEC, she performed in several plays. One of those plays, Home, took her to Broadway’s Cort Theatre. The play was critically acclaimed and earned a Tony Award nomination for Charles Brown. After Home closed she worked in several regional theater productions including Boesman and Lena at Milwaukee Repertory Theatre and A Raisin in the Sun at Studio Arena Theatre in Buffalo.

She auditioned for Joe Turner’s Come and Gone. Her performance as Bertha Holly earned her a 1988 Tony Award. She returned to Broadway in 1997 as the lead in Proposals.

She made her Goodman Theatre debut in The Dreams of Sarah Breedlove. She took on the role of Lena Younger in the Ebony Repertory Theatre production of A Raisin in the Sun, for which she won the 2011 Los Angeles Drama Critics Circle Award.

She is an active member of Unite For Strength. She won a seat as an alternate on the National Board of Directors and the Hollywood Division Board of Directors. She served on the Seniors, Legislative, Women, Holiday Host, Honors and Tributes, and EEOC committees. She was elected to a one-year term on the national board of directors. She served as the national chair of the Women’s Committee. She is on the SAG national board of directors’ ballot. She won a three-year term on the national and Hollywood boards. She will serve as national chair of the Women, and Healthcare Safetynet committees.

She was part of the six-part Mercy Street. She co-starred in Our Kind of People as Olivia Sturgess Dupont. #africanhistory365 #africanexcellence

[reveal-the-news]

Downtown venues launch Milwaukee Theater District to ramp up marketing

Downtown venues launch Milwaukee Theater District to ramp up marketing

Downtown Milwaukee theaters, performing arts groups and Visit Milwaukee announced Wednesday the creation of the Milwaukee Theater District, a marketing and branding effort to increase awareness and attendance at these venues. Participants include Bradley Symphony Center, Marcus Performing Arts Center, Wisconsin Center District, Miller High Life Theatre, Milwaukee Repertory Theatre, Pabst Theatre,…

[blackinperiodfilms]

Zonya Love (Celie) and Stephanie Umoh (Nettie) in The Color Purple.

Milwaukee Repertory Theater’s 2014/15 Quadracci Powerhouse Production 

Photo by Michael Brosilow.

[uwmarchives]

Theater in Milwaukee

Theater Thursday

In honor of Milwaukee’s rich theatrical history the UW-Milwaukee Archives is currently exhibiting materials from several of the theaters and theater companies that have called Milwaukee home throughout history.

Prominently featured are the Pabst Theater, the Milwaukee Repertory Theatre and the Milwaukee Chamber Theatre. The exhibit can be viewed in the case outside of the Archives reading room.

-Samantha Brown, Graduate Intern, UWM Archives

[mkkstartrek]

From the archives.  Dukat *always* had the moves.

[aroundmke]

Mark Twain’s River of Song

Mark Twain once said, “Travel is fatal to prejudice, bigotry, and narrow-mindedness.” He and I share the belief that you can only hate what you haven’t met, and with few exceptions, I think we’re right. Travel has the power to take the stereotypes, the misunderstandings, and the hatred right out of a person. River of Song is a rollicking journey that takes on the early life of Mark Twain through a soulful trip up the Mississippi, from a cajun carnival at New Orleans all the way up to the shack shanties of the great pines in Minnesota.

David Lutken has an incredible, down to earth soul that pushes all the worries and troubles from all the hustle-bustle outside right out of your head. In addition to this, he is a remarkable performer both in the theatrical and musical means. His words are full of promise and his voice is steeped with song. I cannot fathom to see David in a suit or anywhere but a cabin or steamboat; he simply was not made to be in such things. Harvy Blanks and Spiff Wiegand are wonderful companions and storytellers in this ride through the great river.

River of Song runs now through Marth 13th, and tickets can be found here. Also, keep an eye out, as my yearly Top Five of the Next Season comes out this week as well! There is so much in store in the 66th season, and I hope you’ll join me for all of it!

Until the next show,

 A. 

[anthonyvcrivello]

VOTE Anthony Crivello  - BEST STAGE ACTOR!  ShepardExpress.com https://shepherdexpress.com/best-of-milwaukee/2020#/gallery/?group=361163

@SANDY MAXX, @MILWAUKEREP and the below list! Thanks! 📷 The Arts PageDecember 1 at 10:50 AM Have you voted for the Shepherd Express 2020 Best of Milwaukee Awards yet? Deadline is Wed, Dec 03 at 11:59 P.M. There are many wonderful choices, including these nominees that you've seen on The Arts Page: + Sandy Maxx (Best Local TV Personality and Best Local Radio Personality) + Inspiration Studios + Milwaukee Art Museum + Villa Terrace Decorative Arts Museum + Kids From Wisconsin + Milwaukee Ballet + Discovery World + Jewish Museum Milwaukee + Anthony Crivello (Best Stage Actor) + Milwaukee Repertory Theater + The Whiskeybelles + The Pfister Hotel + Splash Studio + Milwaukee Area Technical College Vote for your favorite in dozens of different categories here: 

https://shepherdexpress.com/best-of-milwaukee/2020#/gallery/?group=361163 You can now tag your friends!  @AnthonyCrivello

[blackkudos]

Harold Nicholas

Harold Lloyd Nicholas (March 17, 1921 – July 3, 2000) was an American dancer specializing in tap. Nicholas was the younger half of the tap-dancing pair the Nicholas Brothers, known as two of the world's greatest dancers. His older brother was Fayard Nicholas. Nicholas starred in the MGM musicals An All-Colored Vaudeville Show (1935), Stormy Weather (1943), The Pirate (1948). and The Five Heartbeats (1991).

Life and career

Early years

Nicholas was born to drummer and orchestra leader Ulysses Domonick and pianist Viola Harden in Winston-Salem, North Carolina. By the age of three, his older brother Fayard enjoyed sitting in the audience of the black vaudeville theater where his parents performed, enraptured by the great performers on stage. Immersed in show business, when the Nicholases added a second son to the family, seven-year-old Fayard insisted that the child be named after his idol, Harold Lloyd, the silent-screen comedian. The two brothers soon began dancing, and they quickly gained acclaim for their elegant acrobatic moves and mastery of tap. When Fayard was 16 and Harold nine, they made their first appearance at the legendary Cotton Club in New York City and were a popular success immediately.

Career

Their reputation grew rapidly, and Harold and Fayard became established superstars at Twentieth Century Fox with their astounding dance numbers in the studio's musicals features. The brothers began appearing in musical films with Eubie Blake. They performed in vaudeville, on Broadway, in nightclubs, on television, and in movie musicals. Harold appeared in more than 50 feature films, including The Big Broadcast (1936), Down Argentine Way (1940), Tin Pan Alley (1940), and Sun Valley Serenade (1941), which features the show-stopping "Chattanooga Choo Choo" tap dance number performed by Harold, Fayard, and Dorothy Dandridge.

Fred Astaire told the brothers that their dazzling footwork, leaps and splits in the Jumpin’ Jive dance in Stormy Weather (1943) produced the greatest movie musical number he had ever seen. In the number, the brothers dance on a piano and leap over performing musicians. The Nicholas Brothers’ Hollywood career began after movie mogul Samuel Goldwyn spotted them in a nightclub and cast them in Kid Millions (1934). The two became big film stars despite racial restrictions at the time prohibiting speaking parts and scenes with white co-stars. Their last film together was 1948’s The Pirate, in which Gene Kelly danced with them, breaking the color barrier. Harold went on to work as a solo artist, moving to France and touring as a singer and dancer. He appeared in the French film L’Empire De La Nuit (1964).

Later life

Nicholas returned to America occasionally to do shows with his brother. Harold also appeared in the films Uptown Saturday Night (1974), Tap (1989), The Five Heartbeats (1991) and Funny Bones (1995). In 1985-86, Nicholas played the role of "Daddy Bates" in the National Tour of the Broadway musical The Tap Dance Kid. In 1993, he starred in the Milwaukee Repertory Theatre's world premiere of If These Shoes Could Talk, which also starred Tony nominee Ted Levy, an original tap dance musical by Lee Summers and Kevin Ramsey. The leading character, a seasoned triple threat/hoofer, "Dr Rhythm," was written for Nicholas and would be his farewell stage performance in a musical. Carnegie Hall sold out for a tribute to him and his brother in 1998, who were both present. By that time he had been living on New York's Upper West Side, where he lived for approximately 20 years with his third wife Rigmor Alfredsson Newman, a producer.

Personal life

Nicholas was married three times and has two children. His first marriage, on September 6, 1942 was to the celebrated actress, singer and dancer Dorothy Dandridge. They met at the Cotton Club in Harlem in 1938. Together they had a daughter, Harolyn Suzanne, who was born on September 2, 1943 (died in 2003) with severe brain damage that prevented her from speaking or even acknowledging her parents. By 1948, their marriage had deteriorated and Nicholas abandoned his family. Their marriage lasted nine years, ending in 1951. Nicholas had been linked romantically to Swedish actress Nita Dova. Nicholas had a son, Melih, with his second wife Elyanne Patronne. At the time of his death, he was married to Rigmor Newman Nicholas.

Death and honors

Nicholas died in New York City on July 3, 2000, at the age of 79, from heart failure. Nicholas was inducted into the National Museum of Dance C.V. Whitney Hall of Fame in 2001, along with his brother Fayard Nicholas.

Filmography

Nicholas appeared in the following films dancing alongside his brother Fayard, with occasional solos:

[razorsadness]

we’ll find a new way of living

p. & i went to the milwaukee repertory theater this afternoon, to see west side story. they always open the season with a musical, & my parents are season ticket holders; they didn’t want to go tonight so they watched the kids and we went to the show.

i looked more feminine than i have in a while, because i felt like dressing up, and most of my ‘dress-up’ clothes are of the girlie variety. not that i had to dress up; half the people there were wearing old jeans & packers sweatshirts. i’m not a snob about it, i don’t think there should be a dress code for the theater or anything, i just...don’t get it. i so rarely get the chance to wear my dressy clothes that when i do, i seize those opportunities with joy.

i knew i would cry during the play, because a. everything makes me cry, & b. i’m a musical theater nerd. but i thought i’d make it to riff & bernardo’s death scene, or at least to “tonight.” uh, nope. i got a lump in my throat & tears in my eyes during the prologue. no one was even singing yet! the story hadn’t started! i started crying thirty seconds in to an instrumental number with a bunch of guys dressed like ‘50s street toughs dancing around! that is some new and unprecedented level of gayness, even for me.

in all seriousness, though... i began crying during the prologue and remained somewhere between ‘mildly teary’ & ‘full-on weeping’ for almost the whole play, with the exception of “gee, officer krupke” cuz that song’s just hilarious. (hey! i got a social disease!) i full-on wept during “somewhere,” no surprise there. it’s a heartbreaking song in & of itself, but now it also always reminds me of november 2003, sitting in my blue bedroom with c., listening to tom waits’ blue valentines, & just as i started telling c. it couldn’t work between us his rendition of “somewhere” came on. that was so fucking painful. though it wasn’t anything like racism or gang violence or family keeping us apart, though it was my choice to end our brief whatever-it-was, i did care deeply about him & it was not comforting to be there trying to break the romantic part of our relationship off and have tom waits in the background crooning: there’s a time for us. someday, a time for us...

the whole production was fantastic. the choreography was stunning. i’ve found that i’ve paid more attention to the choreography in musicals the past few times i’ve seen them than i ever used to. the way they move, and convey so much emotion and story with that movement, fascinates me; maybe because dance is the aspect of performance i have the least experience with.

all the lead & supporting actors were phenomenal; i think the three main supporting actors—who played riff, bernardo, & anita—may have been even stronger than tony & maria. also, the actor who played bernardo is fine as hell. god. when i wasn’t crying, i was swooning.

oh & gosh am i old & boring now. i had two glasses of cabernet during the play & no, i didn’t get drunk or even buzzed, but when we got home after having dinner & picking up the kids i was just tired & did not want to drink anymore. how did i used to drink all day long? now i have two glasses of wine in an afternoon & come home, make a cup of chamomile-lavender tea, & curl up in bed with a book.

[wigwagwigout]

Actor Jeffrey Tambor stresses importance of UPAF in Milwaukee performing arts scene

Actor Jeffrey Tambor stresses importance of UPAF in Milwaukee performing arts scene

(more…)

[williamkurk]

I don’t know what’s more impressive: the fact that we all fit in this pic, or my immaculate on-the-fly photoshop skills to get the theater marquee in the pic 😝! The most lit posse during thee entire run!! They shut it down tonight! Mad love to our new compadres! 💯✊🏽 #mkerep #mke #theater #milwaukee #gang #artists #thespians #culture #wke #wklegacy (at Milwaukee Repertory Theater) https://www.instagram.com/p/CkNClscN9Mw/?igshid=NGJjMDIxMWI=

[lboogie1906]

L. Scott Caldwell (born Laverne Scott; April 17, 1950) is an actress known for her roles in The Fugitive and Lost. She earned a BA in Theater Arts and Communications. She planned on a teaching career and taught at Chicago High School of the Performing Arts. She worked a year for the Chicago Council on Fine Arts as an artist-in-residence. She performed in local theatrical productions at the Body Politic, Court Theater, and Eleventh Street Theater. She went to New York to audition for Uta Hagen's school HB Studio and The Negro Ensemble Company. She was accepted by both Hagen and NEC. During her first season at NEC, she performed in several plays. One of those plays, Home, took her to Broadway's Cort Theatre. The play was critically acclaimed and earned a Tony Award nomination for Charles Brown. After Home closed she worked in several regional theater productions including Boesman and Lena at Milwaukee Repertory Theatre and A Raisin in the Sun at Studio Arena Theatre in Buffalo. She auditioned for Joe Turner's Come and Gone. Her performance as Bertha Holly earned her a 1988 Tony Award. She returned to Broadway in 1997 as the lead in Proposals. She made her Goodman Theatre debut in The Dreams of Sarah Breedlove. She took on the role of Lena Younger in the Ebony Repertory Theatre production of A Raisin in the Sun, for which she won the 2011 Los Angeles Drama Critics Circle Award. She is an active member of Unite For Strength. She won a seat as an alternate on the national board of directors and the Hollywood division board of directors. She served on the Seniors, Legislative, Women, Holiday Host, Honors and Tributes, and EEOC committees. She was elected to a one-year term on the national board of directors. She served as the national chair of the Women's committee. She is on the SAG national board of directors ballot. She won a three-year term on the national and Hollywood boards. She will serve as national chair of the Women, and Healthcare Safetynet committees. She was part of the six-part Mercy Street. She costars on Our Kind of People as Olivia Sturgess Dupont. #africanhistory365 #africanexcellence https://www.instagram.com/p/CcdK0nNrmG3A05Hfdc_aVlvNw6oHSCHkDuVLa00/?igshid=NGJjMDIxMWI=

[livingroomplaymakers-blog]

Meet Our Playwrights

Moving Stories comprises five short plays all inspired by one basement Edgewater apartment. Each play explores the varying reasons we move, told through the lens of five very different playwrights:

Erin Austin co-founded LRP with a really excellent group of creatives back in 2013.  Since then, she’s written for and/or produced eight of LRP’s site-inspired productions. Outside of LRP, she is an avid collaborative playwright and screenwriter. Recent writing credits include collaborations with Tellin’ Tales Theatre, Lyric Opera of Chicago, Chicago Dramatists, Greenhouse Theater, American Theatre Company, and Hub Theatre. When not writing plays, Erin writes and produces content for educational videos and computer games. She has an MFA in Writing for the Screen + Stage at Northwestern University (2013). Erinlaustin.com

Jonathan Baude is a Chicago-based playwright and humorist. Jonathan's plays have been produced in Chicago, St. Louis, and Norman, Oklahoma. He has received awards of varying impressiveness for his plays about President McKinley’s assassin, star-crossed chess partners, and how cool dragons are. He also collaborated with Brian Golden on the story for the spec pilot Shitty Hall, which was named a Semi-Finalist for the 2017 PAGE International Screenwriting Award for TV Drama Pilot. Jonathan has been a producing playwright with Living Room Playmakers since 2015, and he still hasn’t pitched some of his weirdest ideas.

Minita Gandhi is an actress/playwright/writer who was born in Mumbai, India. Raised primarily in San Francisco, she is proud to have called Chicago her artistic home for over 8 years. MUTHALAND is her first full-length play. It was workshopped at Silk Road Rising for their Solo Festival, selected for the Ignition Festival of new plays at Victory Gardens Theater, and invited to the Raven Theater for a special performance sponsored by the Indo-American Heritage Museum.  It will also appear in Pacific Conservatory Theatre’s 2018/19 season. She can be seen in the recurring role of Dr. Prospere on NBC's Chicago Fire, and has appeared on Fox's hit show Empire, NBC's Crisis, ABC's Betrayal, Fox's The Chicago Code, and was The Onion News Network's anchor, Nina Shankar. Minita has worked at a number of regional theaters across the country including Berkeley Repertory Theater, The Arena Stage, Milwaukee Repertory Theater, and Lookingglass Theater. She has been directed by Tony award winning adaptor and director Mary Zimmermann, and originated the role of Priya, in Silk Road Rising's World Premiere production of Rajiv Joseph's, The Lake Effect.

Jenni Lamb is a Chicago-based playwright and former improviser. Her plays include Mother Lode, Quiver, 12th and Clairmount, Memento Polonia, Period Piece, Thou Proud Dream, Ellen Bond, Union Spy and Sickly Sulphur/Florid Arabesque. Jenni’s plays have had readings or productions with The Goodman Theatre, The Road Theatre (LA), The Gift Theatre, American Theatre Company, Stage Left Theatre, Route 66, Black Box Acting Studio, Wordsmyth Theatre (Houston), and Northwestern University. Her play Quiver received an honorable mention from the Kilroy List and she was a member of the Goodman Playwrights Unit. Jenni is a producing playwright with Living Room Playmakers and a Resident Playwright at Chicago Dramatists. She holds an MFA in Writing for the Screen and Stage from Northwestern University.

Alvaro Saar Rios' plays have been performed in New York City, Hawaii, Milwaukee and all over Texas. Rios has received commissions from various organizations, including The Alley Theatre, Houston Grand Opera, and Honolulu Theatre for Youth. His award-winning play Luchadora! is published by Dramatic Publishing Inc. He is also the co-founder of The Royal Mexican Players, a national touring performance troupe. Mr. Rios holds an MFA in Writing for the Stage and Screen from Northwestern University. Alvaro recently moved to Chicago from Milwaukee and is a Resident Playwright at Chicago Dramatists.

[blackinperiodfilms]

Zuri McGowan (as Nettie) and Chantae Miller (as Celie) in The Color Purple.

Milwaukee Repertory Theater’s 2014/15 Quadracci Powerhouse Production

[uwmarchives]

Explore Your Archive Week: Mysterious Archives

As we explored our archives this week, we took “mysterious archives” quite literally and found photographs, scripts, and other production information from the Milwaukee Repertory Theatre’s English Mystery Plays.

Mystery Plays are sequences of performances, often referred to as cycles, and were popular in the 15th and 16th centuries in Europe.  Mystery plays were religious in nature, portraying numerous biblical scenes over the course of a day.  Yes, that’s correct, these plays would often last a full day and were incredibly elaborate, encompassing everything from the creation story to judgement day.  

Mystery Plays gain their name from their portrayal of the mysteries of God and because they were generally organized and produced by guilds, who were often called ‘mysteries’ at the time. The plays ultimately fell out of fashion as they became increasingly satirical in nature and lost the support of the Roman Catholic church as a result.

Featured here are photographs, a page from the annotated script, and a lighting map from the production of their Christmas Cycle English Mystery Plays during the Milwaukee Rep’s 1970-71 season.  These can all be found in boxes 186 and 118 of the Milwaukee Repertory Theatre Records 1953-1987, Milw Mss 95 at the UWM Archives.

-Lizzie, Archives Graduate Intern

[zeldaspeaksmindfulness]

Lookingglass Theatre Company

In Collaboration with WBEZ Chicago present the World Premiere Audio Play of

Her Honor Jane Byrne

Written and Directed by Ensemble Member J. Nicole Brooks

Thanksgiving Day at 11am and Saturday, November 28 at 2pm

Chicago, IL–Lookingglass Theatre Company, in collaboration with WBEZ 91.5 Chicago, presents a World Premiere audio play of Her Honor Jane Byrne, written and directed by Ensemble Member and Mellon Playwright in Residence J. Nicole Brooks. Her Honor Jane Byrne will air on Chicago’s NPR news station WBEZ 91.5 FM and wbez,org on Thanksgiving Day, Thursday, November 26 from 11am-1pm CT and Saturday, November 28 from 2pm-4pm CT.

Chicago is “The City That Works”—but does it work for everybody? It’s 1981, the city’s simmering pot of neglected problems boils over, and Chicago’s first woman mayor is moving into Cabrini-Green. Is this just a P.R. stunt, or will it bring the City together? For the next three weeks, residents, activists, media, the “Machine,” and the Mayor herself will collide as the City’s raw truths are exposed. Tune in to find out who will come out on top in Lookingglass Ensemble Member J. Nicole Brooks’ bold new work, Her Honor Jane Byrne?

Her Honor Jane Byrne premiered on the Lookingglass stage in March 2020 just five days before the Theatre had to close due to the COVID-19 pandemic. Lookingglass Theatre Company has partnered with WBEZ, Chicago’s National Public Radio Station, to present Her Honor Jane Byrne as a radio play.

The cast features Ensemble Members Christine Mary Dunford (Jane Byrne), Thomas J. Cox (Alderman Roti, Swibel, Photographer, Evidence Tech) and Tracy Walsh (Reporter, Kathy, Claudia) with Robert Cornelius (Black Che, Seller), Nicole Michelle Haskins (Tiger, Rival Kid), Renee Lockett (Mabel Foley), Frank Nall (O’Donnell, Jay McMullen, Daley, Spilotro), Josh Odor (Superintendent Brzcek, Tavern Owner, Bodyguard, Pilot, Host), Taron Patton (Marion Stamps), Willie “Mudlife Roc” Round (Kid, Tral).

The creative team includes Michael Huey (composer), Christopher M. LaPorte (sound designer), Artistic Associate Wendy Mateo (associate director) Jason K. Martin (dialect specialist), Sarah Burnham (production manager), Jeremy Phillips (production assistant) and Ensemble Member Philip R. Smith (casting).

“Our play joins history to myth. Some of it is dramatic interpretation, and some of it is real,” comments J. Nicole Brooks. “When you grow up in a city that’s hyper segregated, run amuck with corruption, and political stunts and discord, you have to work hard to love it. I love the city of Chicago. I love the history. I’m fascinated by ethnic clans. I’m curious about patronage, councils, aldermen, and committeemen. Who gets elected and how? Who gets to lead us, and will they actually listen to us? Though I was very little, I can remember when it was announced that Mayor Jane Byrne was moving into Cabrini-Green. Can she stop the violence? Well, no one person can. Here we are decades later, asking the same questions. I hope our audiences walk away with a bit of the past, so they may know how to shape our future.”

““It was devastating to close Her Honor Jane Byrne last Spring just after it opened.  A play takes years of work to get it to the point of production, and this play was speaking directly to our city about our city.  So we are thrilled and grateful to WBEZ for giving us a new platform to share J. Nicole Brooks’ timely and brilliant play in its new audio form,” comments Artistic Director Heidi Stillman. “Over the past months since the show closed, it’s subject matter has only become more relevant. Her Honor Jane Byrne is ambitious, timely, and an important piece of work about the way geography, race and inequality line up in Chicago – and how choices made in the past are still playing out in our city today.”  

This project is supported in part by an award from the National Endowment for the Arts. The following sponsors generously supported the premiere of Her Honor Jane Byrne on the Lookingglass stage last spring: Production Sponsors—National Endowment for the Arts and Edgerton Foundation; Lead Sponsors—Melinda McMullen and Duncan Kime; Production Support—Leigh and Henry Bienen, Linda Karn, Rachel E. Kraft and Douglas R. Brown, and Abbie Roth.

About the Artists

J. NICOLE BROOKS (Playwright/Director/Lookingglass Ensemble Member) is an actor, playwright, and director. Recent theatrical credits include Lottery Day (Goodman Theatre), Beyond Caring (Lookingglass Theatre Company), and Immediate Family (Mark Taper Forum, Goodman Theatre). Directing credits at Lookingglass include: Thaddeus & Slocum: A Vaudeville Adventure (co-directed with Krissy Vanderwarker), Mr. Rickey Calls A Meeting, and Black Diamond. J. Nicole is author of Fedra: Queen of Haiti, Black Diamond: The Years the Locusts Have Eaten, The Incredible Adventures of Yuri Kochiyama, HeLa, and Her Honor Jane Byrne.

ROBERT CORNELIUS (Black Che, Seller) is making his Lookingglass Theatre debut with the world premiere of Her Honor Jane Byrne. Other Chicago credits include the world premiere of Lottery Day at Goodman Theatre; The Total Bent at Haven Theatre in association with About Face Theatre; Rightlynd, Spiele 36, On the Block and Whitley at Victory Gardens Theater; Picnic with American Theatre Company, W;t with The Hypocrites, Raisin with Court Theatre, Taming of the Shrew at First Folio Theatre, Hamlet at The Gift Theatre, and Aida at Drury Lane Theatre. Regionally, Robert has worked at Indiana Repertory Theatre, Milwaukee Repertory Theater, Madison Repertory Theatre, Montana Repertory Theatre, and St. Louis Black Repertory Theatre. Film/TV credits include: Chicago PD, South Side, Shameless, Hoodlum, and The Chi.

THOMAS J. COX (Alderman Roti, Swibel, Photographer, Evidence Tech/Lookingglass Ensemble Member) most recently appeared at Lookingglass in 20,000 Leagues Under the Seas. A founding Ensemble Member, Thom has appeared in many productions since 1988, including: Cascabel, The Jungle, The Odyssey, West, The Arabian Nights, The Master and Margarita, The Great Fire, Nelson Algren: For Keeps and a Single Day, 1984, The Old Curiosity Shop, and Peter Pan (A Play). Regionally, he has appeared at Goodman Theatre, Writers Theatre, Steppenwolf Theatre Company, Northlight Theatre, The House Theatre of Chicago, Court Theatre, The Gift Theatre, Victory Gardens Theater, and Milwaukee Repertory Theater. Most recently, Thom was seen in Bernhardt/Hamlet and A Christmas Carol (Goodman Theatre) and Ma Rainey’s Black Bottom (Writers Theatre). TV/Film: Brotherhood (Showtime), Chicago Fire (NBC), Since You’ve Been Gone (Miramax).

CHRISTINE MARY DUNFORD (Jane Byrne/Lookingglass Ensemble Member) has appeared in nearly two dozen Lookingglass productions. Christine’s three most recent productions include Blood Wedding, Trust, and Our Town. For Lookingglass’ 25th Anniversary Season in 2013, she directed her own original adaptation (Jeff nominated) of Still Alice, based on the book by Lisa Genova, which has been translated into multiple languages and is being produced in small theatres across the world. Over the years Christine has served the company as managing director and director of development, and she co-founded and taught with Lookingglass’ Education and Community program. Christine is Director of the School of Theatre and Music at the University of Illinois at Chicago; and she co-founded and helps run the Memory Ensemble—a partnership between Lookingglass and Northwestern’s Alzheimer’s Disease Center (CNADC)—that uses improvisational performance activities to improve life for people with memory loss.

NICOLE MICHELLE HASKINS (Tiger, Rival Kid) is making her Lookingglass debut! Acting credits include: The Color Purple (Drury Lane Theatre), U.S. Premiere of Hopelessly Devoted (Piven Theatre Workshop, Jeff nomination: Best Actor in a Play), Caroline, or Change (Firebrand Theatre, Black Theatre Alliance Award nomination: Best Supporting Actress in a Musical), Spitfire Grill (Refuge Theatre Project, Jeff Award Nomination: Best Supporting Actress in a Musical), World Premiere of HeLa (Sideshow Theatre Company); Music Man, Father Comes Home from the Wars Parts 1,2 & 3, and How to Catch Creation (Goodman Theatre), The Wiz (Kokandy Productions, Jeff Award nomination: Best Supporting Actress in a Musical), Parade (Writers Theatre), and RENT (Theo Ubique Caberet Theatre). Proudly represented by Shirley Hamilton. School at Steppenwolf Acting Fellow 2014, Associate Artist with Black Lives, Black Words, International Theatre Collective, and MOSAIC Youth Theatre of Detroit Alum.

RENEE LOCKETT (Mabel Foley) is making her Lookingglass debut. Last seen in First Floor Theater’s Jeff recommended Sugar in our Wounds. Other Chicago credits include: Familiar (Steppenwolf Theatre Company, Jeff nomination: Ensemble), Surely, Goodness and Mercy (Redtwist Theatre, Jeff nomination: Performer in a Drama, Black Theatre Alliance Award nomination: Best Actress), A Wonder in My Soul (Victory Gardens Theater), Crowns (Fleetwood-Jourdain Theatre, Black Theatre Alliance Award nomination: Best Ensemble). Renee has also worked with Babes with Blades, Court Theatre, Northlight Theatre, MPAACT, Prologue Theatre, Collaboraction Theatre Company, Three Cat Productions, Black Ensemble Theater, ETA  Creative Arts, and Black Lives, Black Words. Renee is an ensemble member of MPAACT and an Artistic Associate with Black Lives, Black Words. Most recent Film credits include: The Plow and Freelancers Anonymous, as well as TV roles on The Chi and a recurring guest star role on Comedy Central’s South Side. Renee is represented by DDO Artists Agency.

FRANK NALL (O’Donnell, Jay McMullen, Daley, Spilotro) is making his Lookingglass debut in this powerful piece by J. Nicole Brooks. A member of the Artistic Home Ensemble, Frank was last seen in their production of Vanya on the Plains as Elijah. Other Chicago credits include: Frankenstein (Remy Bumppo Theatre Company, Jeff Award winner) and Traitor as Howard (A Red Orchid Theatre, Jeff Award winner). Film and TV credits include: the CNN reporter from Spygame, Transplant surgeon on Empire, Carlisle on Boss, and assorted commercials. Frank has an MFA from the University of Illinois Urbana–Champaign.

JOSH ODOR (Superintendent Brzcek, Tavern Owner, Bodyguard, Pilot, Host) is working with Lookingglass for the first time. Chicago credits include: To Catch a Fish and Blood and Gifts (TimeLine Theatre), El Grito del Bronx (Goodman Theatre/Collaboraction Theatre Company), Oorah! (Steppenwolf Theatre Company/LiveWire Chicago), Scientific Method and The Firebirds Take the Field (Rivendell Theatre Ensemble), Welcome to Jesus (American Theater Company), Moment, The Last Days of Judas Iscariot, and The Resistable Rise of Arturo Ui (Steep Theatre), You on the Moors Now (The Hypocrites), Life On Paper (Jackalope Theatre), Hit the Wall (The Inconvenience), Winterset (Griffin Theatre), The Nutcracker (The House Theatre of Chicago) and Sweet Bird of Youth and The Time of Your Life (The Artistic Home). Regionally Josh has worked at the Long Wharf Theatre. TV/ Film credits: The Chi, Chicago Med/PD/Fire, Boss, Betrayal, Janie Jones, Empire, and The Express.

TARON PATTON (Marion Stamps) returns to the stage in Her Honor Jane Byrne. Producer credits includes: N (Greenhouse Theater Center) and Misty Tanner (Q&A Productions). Directing credits: N (Greenhouse Theater Center) Saturday Night, Sunday Morning (Steppenwolf Garage Rep), Bulrusher and Nativity Tribute (Congo Square Theatre). Acting credits: Meet Vera Stark (Goodman Theatre), Hot L Baltimore (Steppenwolf Theatre Company); The Bluest Eye (Steppenwolf Theatre Company and New Victory Theater), King Hedley II (Congo Square Theatre), and Joe Turner’s Come and Gone (Goodman Theatre). Television credits: The Chi, Empire, Chicago PD, Chicago Fire, Chicago Med, A Different World.

WILLIE "MUDLIFE ROC" ROUND (Kid, Tral) is a songwriter, playwright, videographer, mentor, and hip-hop artist hailing from the West Side of Chicago, who has performed across the country and opened for Grammy Award-winning artist Lil Wayne as well as Gucci Mane. He does extensive outreach in the North Lawndale neighborhood in Chicago (also known as “The Holy City”) and has mentored inner city youth as part of the College Mentoring Experience, as well as his own youth movement called MUD LIFE (Motivating the Urban to be Determined). He holds a B.A. in Communications, Radio, and Television Broadcasting from Central State University. His play Broke Down Drone (also co-written with G. Riley Mills) played during the 2019 Peacebook.

TRACY WALSH (Reporter, Kathy, Claudia/Lookingglass Ensemble Member) is a Lookingglass Ensemble Member where she has performed in, choreographed, directed, and written many plays on the Main Stage and for the Lookingglass Young Ensemble. In recent seasons at Lookingglass, Tracy provided dances for The Steadfast Tin Soldier, wrote, directed, and choreographed Cassandra for the Young Ensemble, provided intimacy choreography for Beyond Caring, movement for Acts of God, and choreographed Blood Wedding. She appeared in and choreographed Iphigenia in Aulis (Court Theatre/Getty Villa in Los Angeles), choreographed Agamemnon (Court Theatre) and appeared in and choreographed Electra (Court Theatre). Other Chicago choreography credits include: Arcadia and All’s Well that Ends Well (The Goodman Theatre), The Jewel Box and Don Giovanni (Chicago Opera Theatre), Carmen (Court Theatre) and the Napoleonade (Eclipse Theatre Company). Tracy and her husband own and teach at Lighthouse Yoga in Evanston.

FACT SHEET

Her Honor Jane Byrne will air on Chicago’s NPR news station WBEZ 91.5 FM and wbez,org.

Title:                                        Her Honor Jane Byrne

Written and Directed by:         Ensemble Member J. Nicole Brooks

Featuring:                               Ensemble Members Christine Mary Dunford, Thomas J. Cox and Tracy Walsh with Robert Cornelius, Nicole Michelle Haskins, Renee Lockett, Frank Nall, Josh Odor, Taron Patton, and Willie “Mudlife Roc” Round.

Creative Team:                        Michael Huey (composer), Christopher M. LaPorte (sound designer), Artistic Associate Wendy Mateo (associate director) Jason K. Martin (dialect specialist), Sarah Burnham (production manager), Jeremy Phillips (production assistant) and Ensemble Member Philip R. Smith (casting).

Dates:               Thanksgiving Day, Thursday, November 26 from 11am-1pm CT and Saturday, November 28 from 2pm-4pm CT.

                      Also happening online with Lookingglass

The Steadfast Tin Soldier

Lookingglass Theatre Company presents the holiday stream of Ensemble Member Mary Zimmerman’s The Steadfast Tin Soldier. Experience Chicago’s beloved holiday tradition with your family this holiday season, as the production streams into your home this December! Based on Hans Christian Andersen’s story about a little tin soldier who never gives up, this production is a gorgeous spectacle of music and movement that is perfect for the whole family.

Online access to the production is $25 and includes Livestream and On Demand. An Opening Night Livestream will take place December 1, 2020 at 6:30PM Central. Opening night is $75 and includes a pre-show event with live music hosted by Ensemble Member Kasey Foster, who plays the Ballerina in The Steadfast Tin Soldier. Following the show, Artistic Producer Kareem Bandealy will host a Q&A with Adaptor/Director and Ensemble Member Mary Zimmerman, Co-Sound Designer, Composer and Ensemble Member Andre Pluess, and Costume Designer Ana Kuzmanic.

Tickets are on sale now at www.lookingglasstheatre.org.                                                                    

The cast of The Steadfast Tin Soldier features Ensemble Members Kasey Foster (Ballerina) and Anthony Irons (Goblin), with Joe Dempsey (Nursemaid), John Gregorio (Rat), and Alex Stein (Steadfast Tin Soldier).

Original music for The Steadfast Tin Soldier is composed by Ensemble Member Andre Pluess and Amanda Dehnert. Musicians include Leandro López Várady (Music Director/Piano), Greg Hirte (Violin), Juan Horie (Cello), and Constance Volk (Flutes).

The creative team includes Todd Rosenthal (scenic design), Ana Kuzmanic (costume design), TJ Gerckens (lighting design), Ensemble Member Andre Pluess and Christopher M. LaPorte (sound design), Leandro López Várady (associate arranger), Ensemble Member Tracy Walsh (choreography), Ensemble Member Sylvia Hernandez-DiStasi (circus choreography), Chicago Puppet Studio (puppet design), Amanda Herrmann (properties),Rigability Inc. (rigging design), Katrina Herrmann (stage manager) and Liz Anne Larsen (assistant stage manager). The production was filmed in 2019 by HMS Media.

The Secret Passage

The Secret Passage is a digital membership that reveals a corridor of hidden doors. And behind each door lives an exclusive peek into the Lookingglass process. From mind-expanding artist conversations to first-ever play workshops to archival audio recordings of our former glories to discounts on classes and public Lookingglass events, the perks of the pass will cast you as a true “insider” and a key player in preserving our future.  

The Secret Passage memberships are $50, for access through August 2021, or $8 monthly. Members will receive a discount to The Steadfast Tin Soldier, along with access to the following monthly programming, plus more to be announced:

The Jungle Radio Play by Upton Sinclair, adapted and directed by Ensemble Member David Schwimmer

The Master and Margarita Radio Play, by Mikhail Bulgakov’s adapted by Artistic Director/Ensemble member Heidi Stillman, directed by Heidi Stillman and Ensemble Member David Catlin, featuring many Ensemble Members including David Schwimmer, Philip R. Smith, Joy Gregory, and our beloved friend and Steppenwolf ensemble member Mariann Mayberry.

           The Scarlet Letter Radio Play by Nathaniel Hawthorne, adapted by Ensemble Member Thomas J. Cox

Lucy and Charlie’s Honeymoon Sneek Peek, a new musical by Artistic Associate Matthew C. Yee

The Hidden Door: Artist Conversations: Online conversations featuring exclusive conversations with Ensemble Members David Schwimmer, Kevin Douglas, Mary Zimmerman, Mellon Playwright in Residence J. Nicole Brooks, Anthony Fleming, Kareem Bandealy, and David Catlin, among others.  

Live Concerts: Coffeehouse and House Party, features Artistic Associates Matt Yee and Sully Ratke, with a special appearance by Ensemble Member Kareem Bandealy. House Party is an intimate concert by Ensemble Member Kasey Foster and partner Charlie Otto.

For more information on The Secret Passage, visit lookingglasstheatre.org/secret-passage

About Lookingglass Theatre Company Inventive. Collaborative. Transformative. Lookingglass Theatre Company, recipient of the 2011 Regional Theatre Tony Award, was founded in 1988 by eight Northwestern University students. Now in its 32nd Season, Lookingglass is home to a multi-disciplined ensemble of artists who create story-centered theatrical work that is physical, aurally rich and visually metaphoric. The Company, located in Chicago’s landmark Water Tower Water Works, has staged 70 world premieres, received 161 Joseph Jefferson Award Nominations, and produced work all across the United States. In 2016, Lookingglass received the MacArthur Award for Creative and Effective Institutions and in 2017, was the recipient of the League of Chicago Theatres’ Artistic Achievement Award.  

Lookingglass continues to expand its artistic, financial, and institutional boundaries under the guidance of Artistic Director Heidi Stillman, Executive Director Rachel L. Fink, a 29-member artistic ensemble, 22 artistic associates, an administrative staff, and a dedicated board of directors led by Chair Nancy Timmers and President Richard Chapman. For more information, visit lookingglasstheatre.org.  

About WBEZ Chicago

WBEZ, Chicago’s NPR news station, serves the community with fact-based, objective news and information. WBEZ’s award-winning journalists ask tough questions, dig deep for answers and expose truths that spark change and foster understanding. In addition to its local and national news programming, WBEZ Chicago is home to a growing portfolio of popular podcasts, including the “Making” series of Making Beyoncé, Making Obama and Making Oprah; an investigative podcast series, Motive; 16 Shots: A podcast about the fatal police shooting of Laquan McDonald; Nerdette; and Curious City. WBEZ Chicago has a legacy of innovation as the birthplace of nationally acclaimed programs such as This American Life, and Wait Wait...Don’t Tell Me! and the ground-breaking podcast, Serial.

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